Orion Weiss
One of the most sought-after soloists and chamber music collaborators of his generation, Orion Weiss is widely regarded as a “brilliant pianist” (The New York Times) with “powerful technique and exceptional insight” (The Washington Post). With a warmth to his playing that outwardly reflects his engaging personality, Weiss’s “relentless virtuosity” (Classical Voice America) and “head-spinning range of colors” (Chicago Tribune) have dazzled audiences around the world. He has performed with all of the major orchestras of North America, including the Chicago Symphony Orchestra, the Pittsburgh Symphony, the Cleveland Orchestra, the Boston Symphony Orchestra, the Los Angeles Philharmonic, and the New York Philharmonic.
Highlights of Weiss’s recent seasons include performances at London’s Wigmore Hall; a return to the Chicago Symphony Orchestra, led by Michael Tilson Thomas; his debut with the National Symphony Orchestra, led by Ken-David Masur; a live-stream with the Minnesota Orchestra; and performances of Beethoven's Triple Concerto with the Cleveland Orchestra and the Saint Paul Chamber Orchestra. Recently, Weiss was featured in performances in Tokyo’s Kioi Hall and Opera City Concerto Hall, Taiwan’s National Concert Hall, Hong Kong’s Premiere Performances, and Next Generation Arts, as well as at the Edinburgh International Festival and the Bergen International Festival in Norway.
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As a recitalist and chamber musician, Weiss has appeared at venues and festivals including the Ravinia Festival, the Aspen Music Festival, Tanglewood, the Kennedy Center, Zankel Hall at Carnegie Hall, Alice Tully Hall and David Geffen Hall at Lincoln Center, the Kennedy Center, Wigmore Hall, the Mariinsky Theatre (St. Petersburg), Toronto’s Royal Conservatory of Music, the Edinburgh International Festival, the Schubert Club, Hong Kong Premiere Performances, Seattle Chamber Music Festival, the Lucerne Festival, Denver Friends of Chamber Music, Charlotte Symphony, Santa Rosa Symphony, Santa Fe Chamber Music Festival, Newport Classical, Chamber Music Society of Lincoln Center, the Kennedy Center’s Fortas Series, the 92nd Street Y, and at summer music festivals including Bard, Santa Fe, Bridgehampton, Bravo! Vail, Sunriver, Sun Valley, and Grand Teton, among many others. Known for his affinity for chamber music, Weiss performs regularly with violinists James Ehnes, Augustin Hadelich, and William Hagen; pianists Michael Stephen Brown and Shai Wosner; and the Ariel, Parker, and Pacifica Quartets, among many others.
In March 2022, First Hand Records released the first album of Weiss’s Arc Trilogy – Arc I: Granados, Janáček, Scriabin – a recording exploring the omens and tension of the period preceding World War I. Gramophone Magazine praised the album as “expansive, colorful, and texturally varied.” Arc II, featuring the music of Ravel, Brahms, and Shostakovich, was released in November 2022, and Arc III, featuring works by Brahms, Schubert, Debussy, Dohnányi, Ligeti, and Talma, was released in February 2025. The final album of the trilogy, Arc III was described as a “a worthy successor to the distinguished predecessors” by Gramophone, a “canvas of delight, painted with crisp articulation and precise timing” by American Record Guide, and “smart, timely programming, dispatched with insight and care” by The Arts Fuse.
Weiss can be heard on the Naxos, Telos, Bridge, First Hand, Warner Classics Yarlung, Cedille and Artek labels on recordings such as The Piano Protagonists with The Orchestra Now, led by Leon Botstein; a disc of Scarlatti Sonatas for Naxos; a solo recital disc of Bartók, Dvořák, and Prokofiev; Brahms Sonatas with violinist Arnaud Sussmann; a solo recital album of J.S. Bach, Scriabin, Mozart, and Carter; and a recital disc with violinist Augustin Hadelich, which won the Opus Klassik Best Chamber Music Recording 2025 award. In addition, Weiss has released a recording of Christopher Rouse’s Seeing, a recording of Korngold’s Left Hand concerto, other works with Leon Botstein and TON, and recordings of Gershwin’s complete works for piano and orchestra with the Buffalo Philharmonic Orchestra and JoAnn Falletta. Over recent years, Weiss has also raised his profile through video, assembling a broad and growing YouTube videography that includes Bach’s Goldberg Variations, the Op. 39 Rachmaninoff etudes, and Grieg’s Lyric Pieces, among many others. Soon to be released recordings include the Korngold Piano Quintet with the Pacifica Quartet and an all-Debussy CD, which includes the complete Études along with the rarely performed La Boîte à joujoux.
In the summer of 2011, Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra, conducted by Itzhak Perlman.
Weiss’s list of awards includes the Classical Recording Foundation’s Young Artist of the Year, Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at The Juilliard School, and the Mieczyslaw Munz Scholarship. He won the 2005 William Petschek Recital Award at Juilliard and made his New York recital debut at Alice Tully Hall that April. Also in 2005, Weiss made his European debut in a recital at the Musée du Louvre in Paris. From 2002-2004, he was a member of Lincoln Center’s The Bowers Program (formerly CMS Two).
A native of Lyndhurst, Ohio, Weiss attended the Cleveland Institute of Music’s Young Artist Program through high school, where he studied with Paul Schenly, Daniel Shapiro, and Sergei Babayan. His other teachers include Joseph Kalichstein, Jerome Lowenthal, Kathryn Brown, and Edith Reed. In February 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. The next month, with less than 24 hours notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra and was immediately invited to return for a performance of the Tchaikovsky Piano Concerto that October. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax. Learn more: www.orionweiss.com.
What the critics say
“Weiss has both powerful technique and exceptional insight, and brought an almost sculptural presence and weight to the music.”
— The Washington Post
“There's something quite distinctively poetic in his tone and his phrasing; the evergreen music seemed to reveal lots of fresh growth as he played.”
— The Baltimore Sun
“expansive, colorful, and texturally varied”
— Gramophone
“head-spinning range of colors”
— Chicago Tribune
Recordings
Videos
Programs & Repertoire
Concerto Repertoire
- Bach Piano Concerto No. 1 in D minor, BWV 1052
- Beethoven Piano Concertos Nos. 1–5; Choral Fantasy
- Brahms Piano Concertos Nos. 1 & 2
- Chopin Piano Concertos Nos. 1 & 2
- Gershwin Rhapsody in Blue; Piano Concerto in F
- Grieg Piano Concerto in A minor, Op. 16
- Korngold Concerto for the Left Hand, Op. 17
- Mozart Piano Concertos (K. 271, 414, 453, 466, 467, 488, 491, 503, 595, and others)
- Prokofiev Piano Concertos Nos. 3 & 5
- Rachmaninoff Piano Concertos Nos. 2 & 3; Rhapsody on a Theme of Paganini
- Ravel Piano Concerto in G; Concerto for the Left Hand
- Saint-Saëns Piano Concertos Nos. 2 & 5
- Schumann Piano Concerto in A minor, Op. 54
- Shostakovich Piano Concertos Nos. 1 & 2
- Tchaikovsky Piano Concerto No. 1
A selection from Orion Weiss's extensive concerto repertoire:
Please consult MKI Artists for Weiss's complete concerto and recital repertoire.
2027-28 Recital Program
- Dvořák Theme and Variations, Op. 36 (1878)
- Brahms 8 Klavierstücke, Op. 76 (1878)
- Intermission
- Grieg 2 Improvisations on Norwegian Folk Songs, Op. 29 (1878)
- Tchaikovsky Grande Sonata in G major, Op. 37 (1878)
Featured Projects
Arc I: Granados, Janáček, Scriabin
Piano
The first album of Orion Weiss's ambitious three-part Arc Trilogy (First Hand Records, 2022), exploring solo piano works from the frantic years of 1911–1913, the precipice before World War I. Granados's Goyescas, Janáček's In the Mists, and Scriabin's Piano Sonata No. 9 "Black Mass" each grapple with an impossible awareness of what was coming, plunging further into modernity and despair. Gramophone praised the recording as "expansive, colorful, and texturally varied."
Arc II: Ravel, Brahms, Shostakovich
Piano
The second album of Orion Weiss's Arc Trilogy (First Hand Records, 2022), seeking to understand the varying ways composers comprehend grief, loss, and death. Featuring Ravel's Le Tombeau de Couperin, Brahms's Variations on a Theme by Schumann and two Chorale Preludes, and Shostakovich's Piano Sonata No. 2, the program follows these composers' own paths through grief, from horror back toward hope.
Ariel Quartet & Orion Weiss
String Quartet and Piano
The Ariel Quartet first met the brilliant pianist Orion Weiss when they studied together as teenagers at the Perlman Music Program. Now in their mid-forties with flourishing careers, they continue to collaborate regularly. Alongside the cornerstone piano quintets of Dvořák, Brahms, and Schumann, they offer rarely heard masterpieces by Bloch, Korngold, and Dohnányi.
William Hagen, Andrei Ioniță & Orion Weiss
Piano Trio
William Hagen (violin), Andrei Ioniță (cello), and Orion Weiss (piano) are available on very select dates to perform piano-trio programs together. These three powerhouse young soloists — each an important artist in their own right — prioritize chamber music, collaboration, and artistic partnership in their careers.